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I Am With You. I Am Not Like You.

She said it like it was a boundary. “I’m with you. I never said I’m like you.” Then she stood up and went to the restroom. He looked at me, not for advice, but for permission to be offended. That’s what men do when their ego gets scratched. They scan the room like someone might hand them a manual titled: How To React Without Looking Small. He expected judgment, nod, some silent confirmation that he was right. I lifted my glass. “That’s feeling, and love is a feeling too.” He

Gossip.

They always come early for the first check-in. Not to see who’s here, to see who isn’t. That’s the real list; they scan empty stools and missing faces like detectives at a crime scene. Because nothing like knowing someone is having fun without you, and nothing brings peace like confirming they’re not. If table five is empty, Why isn’t Kostas here? If the corner stool is free, Did Eleni go somewhere better? Fun elsewhere is dangerous. Every bar has one. Every. Single. Bar. The

Better than.

“I should be better by now,” she said once. Not sad, angry. Exhausted-angry. She scares me when she’s angry. I asked, “Better than who?” She stared at the Negroni like it owed her answers. “Myself,” she said —like I was supposed to agree. The problem is that when there’s no opponent, you become both the fighter and the punching bag. Every loss feels personal, and every pause feels like failure. She couldn’t rest. Rest meant falling behind a version of her that didn’t even ex

Unfamiliar

People think relationships end in a single, dramatic moment. They don’t. They fade. They end in inside jokes that stop appearing. In stories you no longer finish because the other person already knows—or worse, doesn’t care anymore. What was left between them wasn’t anger. It was muscle memory. She always comes first. I think she knows he’ll be late. And I think she likes having him wrong. I passed the glass of water—two quick hellos—and turned to grab the Campari. “Where are

One Stool Apart.

They weren’t sitting together together. One stool apart. That’s friendship distance. Close enough to share a bowl of nuts, far enough to survive the truth. I’ve known them for four years. Long enough to know they were friends before they opened their mouths. “You still owe me forty dollars,” Maria said, lifting her Negroni like evidence. Eleni—quieter, already tired of defending herself—let the comment pass like she’d heard it before. “Emotionally or financially?” I smiled an

It takes a Negroni.

Sometimes it takes a Negroni to remind us, Happy New Year she said, almost smiling. Few hours earlier, she’d walked into the bar. She didn’t order champagne. She didn’t want bubbles pretending everything was light. She ordered a Negroni—the most honest drink in the room. Bitter doesn’t apologize, sweet doesn’t dominate, strength doesn’t shout. They coexist. Equal parts. No lying. No pretending one flavor wins. “How was the year?” I ask her, with a loud celebratory voice—as if

December, the Saturday of the year.

The city starts dressing up, and people become sentimental in public again. Lights go up on streets that passed unnoticed just days before, and suddenly everything smells like cinnamon and expectations. They call it the most wonderful time of the year. And maybe it is. But I haven’t seen daylight in a week, and we’re “doing great,” which is hospitality code for: nothing is on fire, but everybody is one breath away from crying. I just had coffee with the manager. He brought co

Nostalgia soundtrack

He always started his set with Mulatu Astatke. No matter the night, the crowd, or how many people were actually paying attention. That slow, confident swing of Ethiopian jazz was his ritual, his anchor. “Because it reminds me of when music had patience, when people did too,” he said, when I asked him why always Mulatu. The way he said it made the room feel older for a second, “Oh, you’re one of the old ones who romanticize nostalgia,” I teased. He laughed, shaking his head as

The One Behind the Bar.

There’s a moment in every shift — usually right before the first guest sits down — when you realize you’re about to see a whole new set of stories. People don’t mean to bring their lives with them, but they always do. You’re there to welcome the early birds, manage the chaos when it peaks, and witness the small truths people reveal when they think no one’s paying attention. Every shift becomes a collection of moments, some loud, some ridiculous, some touching — and you’re the

New York.

He sat down tonight the same way he always does, quiet and confident, like he already knew which conversations were worth having and which weren’t. He’s a regular, the one that I look forward to. Mostly because he’s from New York, and every time he talks about it, the whole bar shifts a little, and also my mind. He is a bit late tonight. He ordered a Negroni, the one drink he never had to explain. While I stirred, he glanced around the room, sharp and quick, taking inventory

Ego.

He always poured his own Negroni last — a small superstition from better days. Back when the bar was full, the music was loud, and people said his name with respect, not caution. Back when he believed he built this place with his bare hands, not with the help he pretended he never needed. The barstools look like a lineup of quiet accusations. And he stands behind the counter like a king who outlived his kingdom. It wasn’t the economy. It wasn’t the competition. It wasn’t even

What if ?

She walked in, shaking the rain off her jacket like she was shedding a whole day. Her footsteps were soft, heavy; she had been fighting the weather and something else she hadn’t named yet. “Long day?” I asked. “Long year,” she said, laughing and exhaling at the same time. She sat at the bar, her fingers tapping lightly on the counter. “What are you drinking?” she asked. “Negroni,” I said. “Is it good?” “I don’t know, but you definitely need one.” She raised an eyebrow. “Is th

Act like you know.

He’d been coming in for a while — never the same time but always that same half-smile. He’d seen enough, and he’d learned to take it lightly. He laughed easily — life wasn’t funny, but it was easier that way. I reached for the Carpano Antica. He liked that bottle — dark glass, heavy shoulders, cream label with the messy red script and wax seal. Old-world confidence. It’s the kind of bottle that makes you slow down for a second; you don’t rush a drink that starts with somethin

Fermented.

She walks into the kitchen with jars in her hand — veggies and salt, fizzing with invisible life. On the prep board, she's written: "Transformation in slow motion, stress-free zone." I'd never paid much attention to fermentation before she showed up. To me, it was just veggies in a jar — survival food. She studied in France, where she perfected the craft. The slow magic of time and bacteria — salt meets vegetable, oxygen steps aside, and life keeps working quietly beneath the

Reminder.

The bioelectrical field of our heart radiates outward, up to five feet beyond our physical body. This isn't just a metaphor; it's measurable. Our heart is an electromagnetic force more magnetic than the brain. When she's behind the bar, the air changes within that radius; you don't need equipment to know it's true — you just need to watch her. There's something about the way people adjust around her. Posture relaxes, and the usual tension that sits in a room full of strangers

Martha.

He comes in every Thursday. He doesn't need to order anymore; I'll start making the Negroni. He watches the way I stir it, the slow circle of the spoon. The small routine holds his world together, at least for a little while. It's been almost a year without her. The pain doesn't surprise me anymore—it's started to look familiar. He carries it well. You can tell it's still there, but he's come to terms with the weight. His shirt is always clean and pressed, his watch turned in

Damn your laugh.

Her silence follows a laugh I didn't expect to last that long. She thinks I'm funny — and I like that she thinks that, because I love being funny when she's the one laughing. I keep talking, pretending it's nothing, but every word I say is just a way of keeping her smile a little longer. When we laugh, our brain releases dopamine, the same neurotransmitter linked to reward and desire. It creates that instant rush of pleasure and connection — and that is probably the reason I

Still alive.

Ten years in America. Forty-something on Earth. Still have no idea—but most importantly, still alive. I arrived in Boston with questions and hunger and a raw, unshaped curiosity I couldn’t even name. Boston was cold in a way Greece never was. Not just in temperature—but in tempo. In the way people moved, in how they didn’t ask, didn’t notice too much. Everything felt fast and structured. It scared me. I had to remind myself why I came: to be curious. About the world—but more

Take five.

While Dave Brubeck’s Take Five plays, a confident woman in a green silk dress orders a Negroni, instantly captivating the bartender. Their charged encounter moves outside over a hand-rolled cigarette, where tension and chemistry build. She leaves him with her lighter and a message, shifting the energy of his night—and possibly his life—in just five minutes.

Yellow.

At the bar, she sat watching her Negroni, radiating mystery. Gossip swirled around her silent presence. Driven by curiosity, I dared to ask her favorite color and song. She remained still, letting the tension build. As we closed, she boldly declared she was waiting for me, sparking drama. Pulling me close, she whispered her answer: “It’s yellow, both the color and the song.”

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